PICASSO

Pablo Picasso (1881-1973) was born in Malaga, Spain and spent nearly his entire adult life in France. He was simultaneously a painter, sculptor, printmaker, ceramicist, and theatre designer. Some call him the most influential artist of the twentieth century as he pioneered (along with Georges Braque) the fracturing of the two-dimensional picture plane to create the Cubist style, which then influenced nearly every period of art from the mid-twentieth century to today.

The etchings of the Suite Vollard were created by Picasso between 1930 and 1937, a seminal period in his career. The images function almost as entries in a diary, illustrating a galaxy of motifs and preoccupations, including the artist’s desire for his young mistress and muse Marie-Thérèse Walter, his fascination with the process of artistic creation and transformation, the battle of the sexes and the analogy of making art and making love.

The iconic neoclassical series is the culmination of Picasso and Vollard’s collaborations, beginning with hosting Picasso’s debut show in 1901. The extent and quality of the series is unsurpassed and selections of the valued work are in the collections of major museums and selected private hands across the world.

In addition two special linocuts are on view and are among the artist’s most defining work, demonstrating his lifelong ability to engage with virtually any medium and make it his own.

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PORTRAIT DE JACQUELINE EN CARMEN (L'ESPAGNOLE) (BLOCH 1095), 1962 (15 APRIL, MOUGINS)

Linocut in three colors on Arches paper Signed by the artist in pencil, lower right From the edition of 50 Published by Galerie Louise Leiris, Paris, 1963
30 x 30 in

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LA BONNE DANS L’ATELIER DE SCULPTURE (BLOCH 184), 1933 (MAY 3, PARIS)

Etching printed on Montval laid paper with Montgolfier watermark From the Suite Vollard (S.V. 71), edition of 50 Signed by the artist in pencil, lower right
28 1/2 " x 24 3/4 "

MARIE-THÉRÈSE REGARDANT SON CORPS SCULPTÉ (BLOCH 186), 1933 (MAY 4, PARIS)

Etching printed on Montval laid paper with Montgolfier watermark From the Suite Vollard (S.V. 73), edition of 50 Signed by the artist in pencil, lower right. Inscribed "334" in pencil, lower left; "186, 334, 19658" in pencil, upper left verso Printed by Lacourière, 1939. Published by Vollard, 1939
23 3/16 " x 19 3/16 "

L'ITALIENNE (BLOCH 740), 1953 (JANUARY 21, PARIS)

Lithograph with scraper printed on Arches with Arches watermark From the edition of 50 Signed by the artist in pencil, lower right Printed by Mourlot, 1955. Published by Galerie Louise Leiris, 1955
25 1/8 x 19 1/2 inches

Maternité, 1938 (March 31) (Bloch 1829)

Experimental engraving with pencil in wax on matted fiber sheet, printed on A. Gestetner’s paper From the edition of 10 Signed by the artist in pencil, lower right
21 3/4” x 18” framed

FEMME AU FAUTEUIL SONGEUSE, LA JOUE SUR LA MAIN (BLOCH 218), 1934 (MARCH 9, PARIS)

Engraving printed on laid Montval paper with Picasso watermark From the Suite Vollard (S.V. 21), edition of 260 Dated "Paris 9 Mars XXXIV" in reverse in plate, upper right Inscribed "375/218" in pencil, lower left Stamped "HMP S.V." (Estate of Henri Petiet), lower right verso Printed by Lacourière, 1939, Published by Vollard, 1939
22 1/8 " x 18 1/8 "

MARIE-THÉRÈSE EN FEMME TORERO (BLOCH 220), 1934 (JUNE 20, PARIS)

Etching on Montval laid paper with Picasso watermark From the edition of 260 Inscribed "378/220" in pencil, lower left Inscribed "496096" in pencil, lower right verso Petiet Estate stamp on verso Printed by Lacourière, 1939. Published by Vollard, 1939
17 5/8 " x 13 5/16 "

MINOTAURE AVEUGLE GUIDÉ PAR UNE PETITE FILLE AUX FLEURS (BLOCH 222), 1934 (SEPTEMBER 22, BOISGELOUP)

Drypoint and burin with scraper on Montval laid paper with Picasso watermark From the Suite Vollard (S.V. 94), edition of 260 Signed by the artist in pencil, lower right Printed by Lacourière, 1939 Published by Ambroise Vollard, 1939
15 1/4 x 19 3/4 inches

DEUX FEMMES SE REPOSANT (S.V. 10) (BLOCH 143), 1931 (SEPTEMBER 29, BOISGELOUP)

Drypoint printed on laid Montval with Picasso watermark From the Suite Vollard (S.V. 10), edition of 260 Signed by the artist in pencil, lower right
22 9/16 " x 24 1/2 "

Rain of birds and Flowers, 2022

Acrylic on paper
22 x 30 in